Tuesday, 13 October 2009

Gag on Guardian is lifted


The gag on the Guardian reporting MP's Trafigura question is lifted


Within the past hour Trafigura's legal firm, Carter-Ruck, has withdrawn its opposition to the Guardian reporting proceedings in parliament that revealed its existence.


And there is a supplementary piece on how Twitter couldn't be gagged.

The Guardian gagged

Picking up my copy of the Guardian this morning I was shocked to see the front page headline “Guardian gagged from reporting parliament” which is quite chilling. You can read this piece here, but in essence it is that: 
   
The Guardian is prevented from reporting parliamentary proceedings on legal grounds;
The Guardian is prevented from identifying the MP who has asked the question;
The Guardian is prevented from saying what the question is;
The paper is prevented from saying which government minister might answer it, and where the question can be found.
The Guardian is also forbidden from telling its readers why the paper is prevented – for the first time in memory – from reporting parliament.
It takes less than two minutes on the web to find further details – reported by a site other than the Guardian -  and a link to the official parliamentary website which lists today’s parliamentary order paper.  Here you can find the four questions being raised by Paul Farrelly MP, the Labour member for Newcastle-under-Lyme. See questions nos. 60-63
The key word in those questions is ‘Trafigura’ and that leads right back to the major story the Guardian reported earlier this year. Trafigura is a company trading in energy, including oil.  The following is extracted from a longer piece in the Guardian 14th May 2009
Documents have emerged which detail for the first time the potentially lethal nature of toxic waste dumped by British-based oil traders in one of west Africa's poorest countries.
More than 30,000 people from Ivory Coast claim they were affected by the ­poisonous cocktail and are currently bringing Britain's biggest-ever group lawsuit against the company, Trafigura.
The firm chartered the ship, Probo Koala, which transported the cargo to Ivory Coast in 2006. An official Dutch analysis of samples of the waste carried by the Probo Koala indicate that it contained approximately 2 tonnes of hydrogen sulphide, a killer gas with a characteristic smell of rotten eggs.
The documents have been obtained by the BBC. One chemist told BBC Newsnight last night that if the same quantity and mixture of chemicals had been dumped in Trafalgar Square: "You would have people being sick for several miles around … millions of people."
Trafigura, which claims to be one of the world's biggest independent oil ­traders, originally issued statements in 2006 denying the tanker was carrying toxic waste. It said it merely contained routine "slops" – the dirty water from tank washing. Executives of the company lined up to specifically deny that the waste contained any hydrogen sulphide.
The full story, including internal emails, letters and video reports from Ivory Coast is here: http://www.guardian.co.uk/world/trafigura-probo-koala   Having prevented the Guardian from reporting the story (or indeed, the story about the story) it is now all over Twitter and the wider web.



Monday, 12 October 2009

The Fourth Plinth 2

Anthony Gormley’s One&Other in Trafalgar Square – more commonly known as The Fourth Plinth – comes to the end tomorrow.  Some 2400 people should have participated over the 100 days it has been running, although there have been some ‘no shows’.


Already, before it has run the curtain down, we have the reflections, the comment pieces, debating on whether it’s been a good idea or not; whether it counts as art, or just summertime fodder for the masses. 


If you’ve seen it in the Square you’ll have your own views.  You might have caught it via the webfeeds (technically very accomplished, with sharp pictures and fairly clear sound) available here.   I wrote about it back in July (doesn't that seem a long time ago).
   
Sky have also been running a round-up programme each week on Sky Arts 1 on Friday evenings.


The Guardian’s critic Jonathan Jones got in early, giving his views at length in the paper last Friday under the headline ‘The fourth plinth: it was just Big Brother all over again’ which attracted almost 100 comments on the website.  It’s fair to say that Jones didn’t like it, and other critics agree.


The public seem more optimistic, perhaps more open minded, with 7.3 million hits on the webstream and nearly 700,000 people logging on for an average of more than nine minutes.


There is quite a lot of criticism of Gormley. (Why are the people who post on these things so aggressive?  Why can’t they express their counter-views with some decency?).  Here is a small flavour of those views:


“It's time Gormley's luck ran out. The plinth was obvious. The Angel of the North is obvious. It just happens to be big and obvious”.


“What you appear to be saying, Mr. Jones, is that you don't get it, therefore it is not art”.


“After all, can anyone REALLY define once and for all what art is/is not/should be? It seems that if someone points to something and says: "that's art", then it IS art whether you like it or not.”


“Anthony Gormley's a fine artist and shouldn't waste his time on this kind of nonsense either”


“In my opinion, someone being manky and disgusting in their bed and then putting it in an art gallery is a complete waste of space, but Tracey Emin managed to get away with it, and get paid.”


“Antony Gormley has actually created an opportunity for individuals to create or be in their own piece of art. The fact that many wasted that opportunity and revealed themselves often to be quite artless is down to them not Gormley.”


“I thought it was a nice thing to do. The question about art is irrelevant.”


“Overall I'm glad I did it. It's an experience that only 2399 other people can say they've had and I can now (arrogantly of course) point to the plinth and say "I've been up there".  But hey, what do I know, all I did was throw paper planes, tell bad jokes and phone my Grandad to tell him I love him.”


“Surely 'the plinth' would normally be called street theatre?”    
I find myself in agreement with that: although of course street theatre is very much “art”


And finally: “Basically Everything is art. Or Nothing is. You decide!”


Indeed.

Saturday, 3 October 2009

Tall buildings




April 8th                                                           October 2nd

Two photographs of the same building, 26 weeks apart. It is hard to count accurately from ground level, but I think they have constructed 26 floors in that time: that’s pretty good going.


This is the Heron Tower at the junction of Bishopsgate and London Wall. When completed it will be the tallest building in the UK – but I’m sure an even bigger one will come along in the following years. Designed by architects Kohn Pedersen Fox it currently it stands 36 floor high.  Completion is due in 2011 when it will provide the City with a further 400,000 sq feet of office space.




I’m quite positive about these tall buildings as long as they look good and work well.  In my part of the world, and I’m sure right across London, there seems now to be a real affection for the Gherkin. 




















Indeed, some people are unhappy that their views of the Gherkin are disappearing behind taller buildings which just don’t look as good.  Most often cited is the new Broadgate Tower, by architects Skidmore, Owings & Merrill.  Personally I can’t find anything attractive in it, whether at long distance view, or close-up at street level.  It seems to have no good side, and I imagine it must be quite frustrating to work inside, with views out obscured by all those chunky diagonal braces running across the office windows.

Ian Tomlinson




In the noise and bustle of the City it is easy to miss this: the location where Ian Tomlinson died during the G20 demonstrations last April.


This poignant little scene is in Cornhill.






















“Ian Tomlinson was attempting to find a route home from work through the protests when he was struck by police near the Bank of England. Video footage revealed that he had his hands in his pockets and was walking away from lines of police”.











The Crown Prosecution Service has said that the case remains under review and a decision on whether to prosecute for manslaughter would not be taken for a few months.


Thursday, 1 October 2009

Steve Bell's cartoons

Steve Bell’s cartoon in the Guardian today neatly responds to the news that Murdoch’s Sun has now removed its support for Labour.  I can’t reproduce it on this post, but you’ll find it here.  Take a close look.


Steve Bell’s work has been a feature of the Guardian for almost 30 years. If you can spare 3 minutes then click here and see a short video where he shows how he devises and draws the cartoon which appeared in yesterday’s paper


And there is a generous archive of several hundred pieces of his work right here.